I’d be interested in hearing about use cases for the module in a bit more detail. Have you set it up as a sampler/looper, a synth, drum machine + fx send? Always patching from scratch? If so, what are the constants that you go back to?
If you’re successful with a sampler patch recording an external sound, slicing and addressing slices in a compact workflow, how did you do that?
I’ve struggled with loopers trying to organise a signal path that always allows monitoring but doesnt play 2 instances of the same sound when recording for example.
I’ve had my unit set up as a mixer with 2 stereo outputs for a while now. 1 stereo for synths (2 voices at the moment), 1 for drums. I have the 16n as a control surface, so loads of inputs available. I’ve set both up with a bandpass filter with variable bandwidth + overall freq controls and a reverb with level + size controls. 8 faders to control those aspects for both stereo outputs total. I’ve had a sampler type setup before on a mixer to the drums and that was fun although the latencies got to me a bit.
Now am trying to lean into the Sloop unit and loop synths and vocals, since I’ve 8 faders, plenty inputs free and CPU is in the 40-50 range. And I’m kicking myself for not getting to be more creative with the potential uses.