Mostly it’s just The Bateleur repeating a 15 note sequence with a modifier on certain steps over a 4/4 beat; this, along with timbral modulations is what makes it sound like it’s never quite the same. The random hits are samples triggered by a Zorlon Cannon running really slow, free, modulated and reseeded every now and then - they sound like a pattern, they kind of are, but not really - my brain loves this kind of teasing. Pamela handles the regular timing! Lots of noise from various sources all the way through - I really like noise hehe. The vocal sample towards the end is one of my favourite ever (it has been used before) brought to life with the lovely pitch shifting and delays in the ER-301 - nothing complex at all, just carefully chosen settings. The whole thing saturated and distorted slightly for a bit of tape feel.
There’s quite a bit more going on, but I wouldn’t want to give everything away now would I